Introducing a New Children’s Book: Coney – A Trip to Luna Park
I am introducing the website that will be featuring all the aspects of “Coney – A Trip to Luna Park”- a new children’s book that I have written and illustrated.
It takes place in Coney Island in 1904, and stars 2 Young Rabbits, a Sister & Brother from Manhattan, and Fred Thompson, the creator and designer of Luna Park in turn of the century Brooklyn!
I invite all those who may be interested in Coney Island, Luna Park, children’s picture books, and fantasy- to visit my site dedicated to the creation of this book.
I have been fascinated with Coney Island for many years, researching the history in words and images. This story came to me like a lightning bolt- and I have developed it to a stage where I want to share it with everyone!
Luna Entrance – 1904
Sister & Brother watch the new Visitors
Sister & Brother feel the effects of the building!
Building of Luna Park starts
Sister Rabbits Nightmare
Coney Parade Coney – A Trip to Luna Park
Rabbits in Flight
Millie & Alexander – Trolley to Coney Island
“The Magic Rabbit Hole” from the upcoming book:
“Coney – A Trip to Luna Park”
In the next few months I will be posting new drawings and paintings on a regular basis as I continue work towards the completion of the books images and design. My ultimate goal is to have the work crowd-sourced on Kickstarter.
In the meantime, please check out these sections in my site:
All comments are Very Welcome! I want to be in touch will all those people out there who may have fond memories of Coney as I do- even though I don’t go back far enough to remember 1904! Thank you- Jeff Lindberg
This is a concept drawing that I have done for a Christmas children’s book.
The concept is simple: Santa is out delivering presents over Brooklyn USA when his sleigh breaks down and he lands on top of a brownstone in Sunset Park, Brooklyn. Enlisting the aid of a young girl, Carmen- and other Brooklynites – Santa gets his sleigh working- with the aid of a subway train!
How going through my basement and attic helped me to remember what I have created!
The Working Method
I have been an illustrator for most of my career. I prefer not to say how long, but let’s just say, I was working in the pre-digital era, and now embrace both traditional and digital media as part of my work flow.
Honestly, more of my work for the last decade has been finished digitally- after hand sketches and some watercolor concept work I completed all my work using Photoshop.
But there was a period of almost 15 years where I created hundreds of images for children’s books. I painted book covers, short story illustrations, picture book art- usually using the same process that I taught myself in trial and error fashion. The basic process went like this:
Concept rough thumbnail sketch
Color sketch with pencil and colored pencils
Work on finished art. Always on a gessoed panel. I used to use masonite. But traveling to the city back and forth that got heavy! So I switched to heavy illustration board – usually Strathmore paper.
Paintings would be created using acrylic underpainting using brush and airbrush to set the tones. Colored pencils would state the initial color palette and further establish the tonal transitions. Then more acrylic painting from large to small sable brushes. Finally, glazes of oil paints would “pull together” the values and colors. In my opinion, there is nothing like the glaze of oil paints for true color and values.
As i said, I have painted hundreds of images, from romance to science fiction using this working method. And most of them got stored in either the basement or the attic- protected but not really looked at for over 15 years.
So- in January 2015 I decided to FINALLY collect the paintings together into one place- placed on a metal shelf and sorted out by subject. I was thinking that maybe there would be interest in these images. That people would like to see paintings- and possibly be interested in quality prints of my painting-illustrations. It would be great if they could have a “use” outside of the initial purpose of illustrating a story.
The Secondary Discovery
I had recently read an article in the NY Times by Heidi Julavits “Turning Clutter into Joy”. This essay took a different approach to the prevailing wisdom that one should purge themselves of useless possessions- the flotsam and jetsam of life that accumulates over the course of a lifetime.
Yes I did find lots of useless things- detritus that was definitely of no use to anyone- least of all me. But in the process of throwing out these remnants of life and previous work, I began to run across pieces of art that I had totally forgotten about. Or maybe I remembered them, but in a kind of a dim way, like a faded image on photo paper. These were drawings, sketches, paintings – IDEAS! that I had almost totally forgotten about.
I will admit that not all are great- some are just good- and others just blew me away. Digital techniques have their own usages, and I have been about to expand the range of what I can do with Photoshop, After Effects and other software.
So I have photographed all my newly discovered paintings with my digital camera, and have selected some to be shown on my website, and on Etsy, to have them available as digital archival quality prints.
Old is New Again- and Vice Versa?
With social media- and sites like Etsy, Instagram and Pinterest, I can share my art in ways that didn’t exist when these paintings were originally created. This process is fascinating to me as an illustrator and an artist. Old work becomes new in another context, and going forward my newest work will still be created using the techniques that i perfected in painting those images that originally were mere illustrations.
This painting was originally created for the cover for an anthology of fairy tales. Models were hired, costumes selected and the various reference material was used in the creation of this painting. Original painting measures approximately 20 x 30. Was created using colored pencils, airbrush, acrylics and oil paints. Please click here – or on image – for more details about archival prints and sizes. This will be a limited edition set of prints.
I am offering prints of Cinderella – limited to 10 – all signed by me. Printed using archival pigment print on acid free cotton rag paper. Smaller prints will be mailed in tube- larger prints mailed flat.
Print Sizes and Prices:
12” x 16” – $175.00
18” x 24” – $350.00
30” x 40” – $600.00
Prices include the shipping charges. The framed painting image is shown to give you an idea of what the painting might look like on your wall. Framing not included.
Please feel free to check out my other images for sale on my website here- or at my Etsy shop:
I have been going through the archives of my illustration work, and selected many to be part of my new shop at Etsy.
I am now in the process of making the best archival giclee prints of my illustrations available for sale in the next few weeks. The subject matter ranges from romance book covers – to children’s book covers – fantasy and horror – to a collection for images for adults as well.
This is an exciting opportunity for me to share work with a wider audience than the people who initially read the books that these illustrations were created for.
I have discovered some art that I haven’t seen in years- and it does make me feel good to like so many of them!
I welcome all comments and suggestions. As I am new to Etsy – and this forum of selling images – this is a work in progress. But I am excited about the prospect of sharing my work with so many people who may enjoy looking at them.